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I've been using
the tr-400 for a while now and I have been recommending it
to musicians and my students. Before
that I was using the Transkriber Software, also made by Reed Kotler Music. It's
been said that a great composer doesn't borrow, he steals( attributed to
Stravinsky, himself, a great composer ). This of course was said tounge in
cheek, but the message is true in all the arts. You must learn the vocabulary
of the idiom. I believe that the shortcoming in music education for most part is
lack of emphasis on transcription. Simply put, there is no shortcut or way
around it. You have to learn the vocabulary. And to take it one step further; in
all keys. The old fashioned tape recorders that went at half speed put all the
music down an octave and made transcribing a garbled nightmare. I know. The TR
400 makes the process a lot friendlier. The device is small( it fits in my
guitar case) and easy to use and most important, the music stays in the same
register. I take it on the road with me. Thats where I get most of my work done.
If you are serious about your music studies then you must be transcribing. The
TR 400 is the best tool I know of to allow you to get the message from the
masters firsthand.
Sid Jacobs
Sid is a top jazz guitarist. Don't miss seeing him the next time he passes
through your city.
The following is a brief bio of Sid.
Sid Jacobs was
born and raised in Miami, Florida. When his family moved to
Nevada he obtained a position as
guitar instructor at the University of Nevada, Las Vegas. This made him,at
eighteen, the youngest faculty member in the school's music department. After
moving to Los Angeles he developed the curriculum for the Advanced Bebop and
Jazz Guitar course at the Dick Grove School and the Jazz Guitar elective at the
Musicians Institute (GIT) where he continues to teach.In 1991, his CD It's Not
Goodnight was released. It is a straight-ahead blowing session that
features his original compositions. Some of the jazz artists Sid has performed
with include Eddie Harris, Harold Land, Buddy Montgomery, and Joe Diorio.
Reviewing a live performance, Los Angeles Times jazz critic Don Heckman
describes him as, "…a highly articulate improviser… Neverat a loss for a new
phrase, his improvisations seemed to unfold with theever-changing fascination of
a set of Bach variations."As an educator, Sid has made contributions to Guitar
Player magazine, and his Complete Book of Jazz Guitar Lines and Phrases (book
and CD/MelBay Publications) is considered to be "a thorough exploration of the
modern jazz vocabulary."Jazz Guitar Improvisation based on his course for GIT
(Musicians Institute) is available from Hal Leonard Publications in book/CD
format.
Just Jazz Guitar magazine refers to Sid Jacobs as "a fine and unsung player,
whose meticulous attention to improvisation is reflected in his book…I cannot
praise this work too highly," and Guitar Player magazine says, "this package is
deep." Performance and instructional videos are in the works for Mel Bay
Publications.
Reviews:
"…a highly articulate improviser…Never at a loss for a new phrase his
improvisations seemed to unfold with the ever-changing fascination of a set of
Bach variations."Don Heckman, Los Angeles Times
"…a straight-ahead artist who revealed influences from Jim Hall and Wes
Montgomery to Charlie Parker and John Coltrane. Dazzlingly fast runs led to
passages where Jacobs tempered his considerable technique…his improvisation was
filled with tuneful, mellifluous ideas."Zan Stewart, Los Angeles Times
"…beautiful and sensitive playing"Tony Mattola
"…a great player and a great educator"Joe Diorio
"…Sid is brilliant in his approach to the guitar"Eddie Harris
Book Reviews
"…a fine and unsung player…I cannot praise this work too highly"Just Jazz
Guitar Magazine
"…this package is deep" Guitar Player Magazine
"I think this work belongs at the head of the class on the subject in this
century." Howard Roberts
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